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Abstract Art: A Multidimensional ExplorationAbstract art, a cornerstone of modern creative expression, defies or distorts traditional representational forms to evoke emotion, provoke thought, and challenge perception. Its non-representational nature invites viewers to interpret and connect on a deeply personal and subjective level. Below we will explore abstract art through eight main aspects, including its emergence and in addition, insights from neuroaesthetics and sociological studies to deepen our understanding. |
Based on what we often see labelled as 'abstract art' in today's world of 'everone's an artist', I am sure the critics of the early Impressionists would have also called their scenes "abstracted".
Claude Monet's Claude Monet's painting "Impression, Sunrise" , exhibited in 1874, gave the Impressionist movement its name when the critic Louis Leroy accused it of being a sketch or “impression,” not a finished painting.
Abstract art employs and emphasizes design elements such as line, shape, value, colour, form, texture, and composition over representational accuracy. By focusing on these fundamentals, abstract artists create works that transcend specific subjects, inviting viewers to explore the intrinsic qualities of the artwork itself.
Interpretation of abstract art is inherently highly subjective. Unlike representational art, which often conveys a clear narrative, abstract art often communicates with a visual language, resonating with the viewer's personal experiences, emotions, and imagination. For example, Rothko’s colour field paintings can evoke different emotional responses according to the observer’s mood and/or cultural background.
Neuroaesthetics, the scientific study of the neural bases of aesthetic experiences, provides valuable insights into how abstract art affects our brains. Studies have shown that abstract art engages the default mode network (DMN), a brain network associated with introspection and self-referential thinking. Research by Vessel et al. (2012) revealed that highly abstract artworks stimulate reward systems in the brain, suggesting that viewers find pleasure in interpreting ambiguity.
'Headspace' - 45X65CM, Mixed media on yupo panel
Abstract art can elicit just as strong an emotional response as can figurative or representational artworks. Neuroimaging studies indicate that vibrant colours and dynamic forms activate the amygdala, part of the brain involved in emotional processing. This aligns with Kandinsky’s belief that colours and shapes can directly affect the soul, bypassing rational thought.
Sociological studies highlight the role of abstract art in challenging societal norms and fostering dialogue. Abstract art emerged during periods of social upheaval, reflecting and influencing cultural dynamics. For instance, the Harlem Renaissance embraced abstract forms to explore African-American identity and resilience. Pierre Bourdieu’s theories on 'cultural capital' suggest that abstract art’s interpretive nature reinforces its status as a marker of intellectual and cultural sophistication.
Pro-'Cultural Capital' Perspective:
Pierre Bourdieu’s concept of cultural capital shines a spotlight on how abstract art, with its interpretive ambiguity, becomes a playground for the culturally sophisticated. Unlike representational art, which often communicates more universally, abstract art demands a unique set of interpretive skills that are nurtured through education, exposure, and social context. This makes it a potent marker of distinction. To “get” abstract art—or at least convincingly discuss its merits—requires familiarity with the intellectual frameworks and historical movements that underpin it, such as modernism, minimalism, or post-structuralism. In this way, abstract art isn’t just a visual experience but a litmus test of one’s 'cultural capital'. It’s a world where a Jackson Pollock splatter can inspire awe in some and confusion in others, and the ability to differentiate between the two often speaks volumes to some about one’s social positioning.
Challenging the Lens:
But wait, isn’t the beauty of abstract art precisely its refusal to conform to rigid hierarchies of interpretation? While Bourdieu might argue that abstract art is a vehicle for reinforcing cultural stratification, others might see it as a democratizing force. Abstract art invites viewers to bring their own experiences, emotions, and perspectives to the experience of viewing the artwork, making it accessible to anyone willing to engage. You don’t need a PhD in art history to feel the chaos in Pollock’s drips or the serenity in Rothko’s colour fields. In fact, the very act of labeling abstract art as “elite” could be seen as a self-fulfilling prophecy, perpetuating the ignorant myth that only the culturally initiated can appreciate it. Perhaps Bourdieu’s critique tells us more about the gatekeepers of culture than about the art itself. After all, isn’t art’s ultimate power its ability to transcend class and speak directly to the human condition?
Today, abstract art of all kinds continues to thrive in galleries, public spaces, and digital platforms. It has become a tool for inclusivity, allowing diverse audiences to engage without requiring specific cultural or historical knowledge.
Abstract art, in general, over time, has faced criticism for its perceived elitism and lack of accessibility. Critics have argued that its ambiguity can alienate viewers unfamiliar with modern art. However, proponents contend that this open-endedness is a strength, as it democratizes interpretation and fosters individual creativity. In contrast, however, I would argue that much of what the general public see labeled as 'Abstract art', now strewn across the internet and throughout many commercial galleries as well, are in fact, pretty decorations, in the Pantone or Dulux colours of the season, possibly carried out after watching a Youtube video of "How to get more cells in your fluid pour". But, in the end, the art-buying public is as divergent as the array of objects entitled 'art'.
Abstract art invites us to explore the interplay between perception, emotion, and cognition. By drawing on neuroaesthetic and sociological insights, we can better appreciate its capacity to inspire introspection, challenge conventions, and connect diverse audiences. Its enduring relevance lies in its ability to transcend boundaries and celebrate the complexity of human experience.
I still maintain that nobody needs an art history Phd to know whether or not an artwork resonates with them, or if they like the feelings that their own subjective perception brings about when they look at the artwork. Likewise, I don't believe that a viewer necessarily needs to understand the inspiration or impetus for the creation of the piece, to have a valid and individual connection with it.
Jennifer Webb